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Epics are historical films that recreate past events. They are expensive and lavish to produce, because they require elaborate and panoramic settings, on-location filming, authentic period costumes, inflated action on a massive scale and large casts of characters. Epics often rewrite history, suffering from inauthenticity, fictitious recreations, excessive religiosity, hard-to-follow details and characters, romantic dreamworlds, ostentatious vulgarity, political correctness, and leaden scripts. Epics have existed since the earliest days of American cinema, from D. Epics are often called costume dramas, since they emphasize the trappings of a period setting: historical pageantry, costuming and wardrobes, locale, spectacle, decor and a sweeping visual style.
They often transport viewers to other worlds or eras: ancient times, biblical times, the Middle Ages, the Victorian era, or turn-of-the-century America. Two of the Earliest Epics from Italy: Quo Vadis? Along with Enrico Guazzoni’s epic Quo Vadis? The first great category of cinematic epics are the silent epics. The first American epic was early cinematic pioneer D. Apocryphal stories about the 40-day Assyrian siege of the walled Judean city of Bethulia.